To download DisplayCult Press list please click here (PDF format, 148 KB)
	NIGHTSENSE
	Curated by DisplayCult
	Nuit Blanche, Zone B (Financial District), Toronto
	October 3-4, 2009
	2009	CBC News, “Jeff Koons, Geoffrey Farmer set for 2009 Nuit Blanche,” June 16, http://www.cbc.ca/canada/toronto/story/2009/06/16/nuit-blanche.html.
		Joanna Lavoie, “Programming, New Funding for Nuit Blanche Celebration,” Inside Toronto, June 18, http://www.insidetoronto.com/article/70962.
		Freshly Educated Men, “Nuit Blanche 2009 -- 'a free all-night contemporary art thing',” June 17, http://freshlyeducatedmen.wordpress.com/2009/06/17/nuit- blanche-2009-a-free-all-night-contemporary-art-thing/.
		Susan O'Neill, “City Plans Road Closures, Expanded TTC Service for Nuit Blanche,” Bizbash Toronto, June 18, http://www.bizbash.com/toronto/content/editorial/15805_ city_plans _road_closures_expanded_t_t_c_service_for_nuit_blanche.php.
		“Start Planning Now: Scotiabank Nuit Blanche Returns,” Where Travel, http://www.where.ca/travel/index.php/toronto/2009/06/16/start-planning-now -scotiabank-nuit-blanche-returns/.
		James Bradshaw, “First, A Bay Street Ride for the Downsized. Then Comes Wrestling,” Globe and Mail, June 17, R2.
		Adam McDowell, “Something to Blanch at,” National Post, June 17, http://www.nationalpost.com/arts/story.html?id=1702847.
		Kate Carraway, “Nuit Blanche 2009: Enhanced Edition,” Eye Weekly, June 16, http://www.eyeweekly.com/blog/post/63317--nuit-blanche-2009-enhanced-edition.
		Hamutal Dotan, “Night Time is the Right Time,” Torontoist, June 16, http://torontoist.com/2009/06/night_time_is_the_right_time.php.
		Murray Whyte, “Art, All Night Long,” Toronto Star, June 17, http://www.thestar.com/entertainment/article/651851.
		"2009 Curators Announced," http://www.scotiabanknuitblanche.ca/home.shtml
		"Sobey Art Prize Longlist & Nuit Blanche Toronto Curators Announced," March 13, http://viewoncanadianart.com/2009/03/13/sobey-art-prize-longlist-nuit-blanche-toronto -curators-announced/
		"Professor Jim Drobnick named curator for Scotiabank Nuit Blanche," March 10, http://www.ocad.ca/about_ocad/articles/headlines/20090310_jim_drobnick_nuit_blanche _curator.htm
		"Curators announced for fourth edition of Scotiabank Nuit Blanche," March 9, http://wx.toronto.ca/inter/it/newsrel.nsf/0/6c9dd0846a9f925d8525757400679ebd? OpenDocument
		BlogTO, "Jennifer Fisher and Jim Drobnick," http://www.blogto.com/events/8538
		"Friends in High Places," http://www.sayitwithpie.com/2009/03/curating_nuit_blanche academic.html
		Leah Sandals, "Nuit Blanche Curators Announced," http://neditpasmoncoeur.blogspot.com /2009/03/nuit-blanche-2009-curators-announced.html
		"Exhibitions and Festivals," http://www.akimbo.biz/exhibitions/?id=14710

	MetroSonics
	Curated by DisplayCult
	National Gallery of Canada Library and Archives, Ottawa
	May 6–August 28, 2009
	Artists: Laurie Anderson, Art & Language, Audio Arts, Joseph Beuys, Barbara Bloom, George Brecht, Stuart Brisley, John Cage, Sophie Calle, Philip Corner, Jan Dibbets, Marcel Duchamp, Albert M. Fine, Diamanda Galás, Douglas Gordon, Dan Graham, Rodney Graham, Jörg Immendorff, Joe Jones, Allan Kaprow, Mike Kelley, Martin Kippenberger, Takehisa Kosugi, Milan Knizak, Les Levine, Robert Longo, Christian Marclay, Kelly Mark, Gordon Monahan, Ian Murray, Maurizio Nannucci, Carsten Nicolai, Yoko Ono, John Oswald, A.R. Penck, Raymond Pettibon, Gerhard Richter, Pipilotti Rist, Michael Snow, Althea Thauberger, Throbbing Gristle, Bernar Venet, Jeff Wall, Ian Wallace, Andy Warhol, Lawrence Weiner, Paul Wong.
	2009	“MetroSonics,” Untitled/Sans titre 8(4), May, 4.
	Broadcast Media
	2009	Daniel Mathieu, Le Monde selon Mathieu, Radio-Canada, FM 90.7, July.

	Odor Limits
	Curated by DisplayCult
	Esther M. Klein Art Gallery, Monell Science Center, Philadelphia
	May 9–June 28, 2008
	Artists: Oswaldo Maciá, Jenny Marketou, Chrysanne Stathacos, Clara Ursitti.
	2008	Katybeth Jerome, “Odor Limits,” Art Papers, September/October, 68-9.
		"Odor Limits: Art-in-Science Scent Exhibit -- Exclusive Showing in Philadelphia," Journal of Technology & Science, June 16, 453.
		Jim Drobnick and Jennifer Fisher, “Odor Limits,” Senses & Society 3(3): 349-58.
		Robin Rice, “On the Nose,” Philadelphia City Paper, June 11, http://www.citypaper.net/articles/2008/06/12/on-the-nose
		Dan Cirucci, “The Odor Limits,” June 5, http://dancirucci.blogspot.com/2008/06/odor- limits.html
		“The Odor Limits,” June 3, http://askthewhiffguys.com/fragrants-raves/odor-limits/
		''’Odor Limits' Art-in-Science Scent Exhibit -- Exclusive Showing in Philadelphia,” Reuters, June 2, http://www.reuters.com/article/sphereNews/idUS180011+02-Jun- 2008+BW20080602?sp=true&view=sphere
		Edith Newhall, “Nosey,” Philadelphia Inquirer, May 30, http://www.philly.com/inquirer/weekend/visual_arts/20080530_Channeling_sounds_ from_Earth_and_far_beyond_.html
		“An Exhibition of Smell: Odor Limits,” Perfumer & Flavorist Newsletter, May 28, http://www.perfumerflavorist.com/newsletter/19288454.html
		“Odor Limits: Olfactory Art in Philadelphia,” Fashion Newsweek, May 26, http://fashion-week.net/?p=10909
		Alysson Cwyk, “’Odor Limits’ Sends an Artistic Fragrance through University City,” The Triangle, May 23, http://media.www.thetriangle.org/ media/storage/paper689/news/2008/05/23/ArtEntertainment/odorLimits.Sends.An. Artistic.Fragrance.Through.University.City-3375126.shtml
		“Can’t Miss This,” Phillylist, May 20, http://phillyist.com/2008/05/20/cant_miss _this_70.php
		Jeremy Butnam, “Odor Limits,” Philadelphia Weekly, May 20, http://www.philadelphiaweekly.com/?inc=event&id=292&x=odor-limits
		Tami Fertig, “In The Event That... You Like to Poke Your Nose in Other People's Business,” Philadephia Citypaper, May 14, http://www.citypaper.net/articles/2008 /05/15/in-the-event-that-2
		Michael Klein, “Passes the Sniff Test,” Philadelphia Inquirer, May 3, http://www.philly.com/inquirer/columnists/michael_klein/inqlings/20080511 _Has_the_bell_rung_for_boxing_legend_Joe_Frazier__His_NO_HEAD_ SPECIFIED.html
		Kelly Bayliss, “Odor Limits,” May 12, http://www.diggphilly.com/portal/ site/digphilly/menuitem.4b65d33d5b38a62e27b80d3233b0a0a0/?vgnextoid=25093f 7bacdd9110VgnVCM1000006dc1d240RCRD&vgnextfmt=do
		“Olfactory Art Exhibit – Odor Limits,” Serendipityoucity, http://serendipityoucity.blogsome.com/2008/05/06/olfactory-art-exhibit-odor-limits/
		“Smelly Holidays – Odor Exhibit,” Ottawa Citizen, May 3, http://www.canada.com/ottawacitizen/story.html?id=0594b0ec-5616-4929- a6f1-37568f61a084
	Broadcast Media
		Joe Palka, “What Your Nose Knows and How Artists Use It,” interview, NPR Public Radio, June 27, http://www.npr.org/templates/story/story.php?storyId=91965224
		Kerry Grens, “Art Gallery taps into one of the overlooked senses in art,” WHYY Radio, June 6, interview, http://www.whyy.org/podcast/news /sci20080606scent.mp3
		Karin Phillips, “New West Philadelphia Art Exhibit Invites You to Take a Whiff,” KYW 1060
		Newsradio, May 15, http://www.kyw1060.com/pages/2193525.php?

	Listening Awry
	Curated by Jim Drobnick
	McMaster Museum of Art, Hamilton
	May 31–September 1, 2007
	Artists: Kimsooja, Christian Marclay, Santiago Sierra, Su-Mei Tse.
	2008	Jim Drobnick, “Sonic Intimidation: Santiago Sierra’s El Degüello,” One Hour Empire, Fall, adaptation from the catalogue essay in Listening Awry.
	2007	Jim Drobnick, Listening Awry, exhibition catalogue, Hamilton: McMaster Museum of Art, 32 pp.
		Jim Drobnick, “Kimsooja,” in Equatorial Rhythms, Oslo: The Stenersen Museum, reprinted excerpt from the catalogue essay in Listening Awry, pp. 50-55.
		Laura Hollick, “The Art of Listening,“ View Magazine, 13: 31, August 2-8, http://www.viewmag.com/viewstory.php ?storyid+5411
		Terence Dick, Akimblog: Southern Ontario, August 9, http://www.akimbo.biz/akimblog/ ?id=129
		Rose Anne Prevec, “Museum Presents Listening Awry,” Daily News, June 25, http://dailynews.mcmaster.ca/story.cfm?id=4741#

	Technologies of Intuition
	Jennifer Fisher, editor.
	Toronto & Winnipeg: YYZ Books & MAWA, 2006, 272 pp.
	2009	Bojana Videkanic, Review of Technologies of Intuition, Woman’s Art Journal, forthcoming.
	2008	Shawna Dempsey, “Art and Intuition,” Herizons, Fall 2008, 32-35.
		Lisa Steele, Review of Technologies of Intuition, University of Toronto Quarterly, Vol. 77, No. 1, Winter 2008, 436-438.
		Leila McKellar, Review of Technologies of Intuition, The Art Book, Vol. 15, No 1, 2008, 36-37.
		Amish Morrell, “Art and the Sixth Sense: On Technologies of Intuition,” Senses and Society, Volume 3, No. 1, 2008, 109-112.
		Rick Rhodes, Review of Technologies of Intuition, Canadian Art, 2008 http://www.canadianart.ca/art/books/index2.html
	2007	Allison Leonard Crawford, Review of Technologies of Intuition, Feminist Review, http://www.feministreview.blogspot.com/2007/09/technologies-of-intuition
		Aaron Epp, “On Art and Intuition: Canadian Art Critic Launches New Anthology,” The Uniter 14, January 11, 2007.
		Leah Sandals, Review of Technologies of Intuition, BorderCrossings 102, May 2007.
		Clea McDougall, Review of Technologies of Intuition, Ascent, Winter 2007, http://www.ascentmagazine.com/reviews.aspx?page=read&subpage =past&issueID=36#1

	The Smell Culture Reader
	Jim Drobnick, editor
	Oxford & New York: Berg, 2006, 442 pp.
	2008	Anne Meneley, "The Smell Culture Reader," Ethnos, 73(2): 275-6.
	2007	Marcello Aspria, “Sociologie en het geurlandschap: The Smell Culture Reader,” Sociologie, 3: 4, December, pp. 554-7.
		Marcello Aspria, “The Smell Culture Reader,” http://nowsmellthis.com/ blog/_archives2007/ 5/26/2976006.html.
		Roy Gigengack, “The Smell Culture Reader,” Journal of the Royal Anthropological Institute, 13, p. 1036-7.
		Kate McGowan, and Shafqat Nasir, “Worlds of Scents and Sensibility,” Times Higher Education, May 25, http://www.timeshighereducation.co.uk/ story.asp? sectioncode= 6&storycode=209024&featurecode=124.
		“Olfactocentrism,” Jesse, http://jessematx.blogspot.com/.
		Olivier Wathelet, “The Smell Culture Reader,” L’Homme, Revue français d’anthropologique, 184, http://lhomme.revues.org/document12992.html.
		“Smell, Scent, Olfaction, and Purfume,” Sofia, http://writingshedcollected.blogspot.com /2007/10/smell-scent-olfaction-and-purfume.html.
		“Sounds, Tastes, and Smells,” Concordia University Magazine, http://magazine. concordia.ca/2007/spring/words/.
	2006	“The Smell Culture Reader,” Perfumer & Flavorist, 31: 9, September, p. 9.
		Wendy D’Amico, “The Smell Culture Reader,” Fragrance Forum, Fall/Winter, p. 5.
		Sally Feldman, "Heaven Scent?," New Humanist, 121(6): 18-20.
		Anya McCoy, “The Smell Culture Reader,” http://www.naturalperfumery.com/ articles.htm.
		“The Smell Culture Reader,” Coutorture: An Online Fashion Community, http://www.coutorture.com/posts/10210.

	Do Me!
	Curated by DisplayCult, Dave Dyment, and Roula Partheniou
	in conjunction with the 7a*11d International Festival of Performance Art, Toronto
	October 19-29, 2006
	Artists: Martin Creed, Critical Art Ensemble, Ann Hamilton, Geoffrey Hendricks, Aernout Mik, Linda M. Montano, Carolee Schneemann, Joey Skaggs, and Martha Wilson, with the collaboration of numerous Toronto-based artists.
	2006	Mark Moyes, “Intelligence,” The Globe and Mail, October 21.
	Broadcast Media
		Tori Allen, CBC, What’s On – Metro Morning, October 23.

	Aural Cultures
	Curated by Jim Drobnick
	Walter Phillips Gallery, Banff
	May 7–June 26, 2005
	(also an anthology and CD. Toronto & Banff: YYZ Books and WPG Editions, 2004, 288 pp.)
	Artists: ARCHIVE, Kevin Ei-ichi deForest, Jeremy Deller, Kenneth Doren, Christian Marclay, Annie Martin, Daniel Olson, Santiago Sierra, Don Simmons, Su-Mei Tse.
	2008	Jim Drobnick, “Sonic Intimidation: Santiago Sierra’s El Degüello,” One Hour Empire, Fall, adaptation from the catalogue essay in Listening Awry.
	2006	Brady Cranfield, “By All Means Listen By All Means,” Fillip 1: 2, Winter, pp. 1, 3.
		Brandon LaBelle, “Aural Cultures,” Musicworks, 4/11/2006, http://www.musicworks.ca/ article.asp?id=65.
	2005	Quintin Winks, “Gallery Embraces Good and Bad Sounds,” The Banff Crag & Canyon, May 24.
		Andrea-Jane Cornell, Lisa Gasior and Andra McCartney, “Contemporary Sound Cultures,” Topia 13, Spring, pp. 176-80.
		Marie Fraser, “Aural Cultures and S:ON,” Parachute #117, Winter, p. 140-1.
		Frank Rackow, Spotlight, Radio Canada International, May 18, http://www.rcinet.ca/rci/en/emissions/1440.shtml.
		Jim Drobnick, Letter to the Editors, Fuse 28: 3, pp. 7-8.
		“New Book on Sound Art,” Electronicshadows.net, 24: 18, March, http://www.hyperionwebs.com/electronicshadows/archives/editorial/18_archives_ editorial.htm#New_book_on_sound_art
		Lis van Berkel, “Aural Cultures,” Fuse, May, pp. 45-7.
		Chris Chang, “The Hills are Alive: What Is the Sound of one Artist Thinking? Su-Mei Tse Provides an Answer,” Film Comment, March-April 2005.
		James (Brady) Cranfield-Rose, Writing About Six Sound Worlds, MFA Thesis, Simon Fraser University, Vancouver, ir.lib.sfu.ca/retrieve/2370/etd1962.pdf.
		Carlo A. Nardi, Playing by Eye: Music-Making and Intersensoriality, Universita’ Degli Studi di Trento, 2005, www.lesjeuxsontfunk.com/text/Playing%20by%20eye.pdf.
	2004	Jim Drobnick, ed., Aural Cultures, Toronto and Banff: YYZ Books and Walter Phillips Gallery Editions.
		Katharine Norman, “Aural Cultures,” Soundscape, v. 5; n. 11, Fall/Winter, p. 46.
		“Aural Cultures,” Canadian Art, Summer, p. 33.
		Carlo A. Nardi, “Aural Cultures: Book Review,” International Association for the Study of Popular Music, http://www.iaspm.net/auralcultures.html.
		Pamela Margles, “Bookshelf: Aural Cultures,” WholeNote, July 1–September 7, http://www.thewholenote.com/wholenote_jul_04/bookshelf.html.
		Steven Feld and Donald Brenneis, “Doing Anthropology in Sound,” American Ethnologist 31: 4 November, pp. 461-74.

	reminiSCENT
	Curated by Jim Drobnick and Paul Couillard
	FADO, various locations around Toronto
	September 18–21, 2003
	Artists: Millie Chen and Evelyn Von Michalofski, Shawna Dempsey and Lorri Millan, Leslie Hill and Helen Paris, Cheli Nighttraveller, Clara Ursitti.
	2008	Jim Drobnick, “Sense and reminiSCENT: Performance and the Essences of Memory,” Canadian Theatre Review, pp. 6-12.
	2005	Sandra Firmin, “Senses of Proximity: Millie Chen’s Immersive Environments,” Artpapers, July/August, pp. 16-18.
	2004	Jennifer Fisher, “Out and About: The Performances of Dempsey & Millan,” in Difficult Women, ed. Johanna Householder and Tanya Mars, Toronto: YYZ Books.
		Laura Hollick, “The Art of Listening,“ View Magazine, 13: 31, August 2-8, http://www.viewmag.com/viewstory.php ?storyid+5411
		Terence Dick, Akimblog: Southern Ontario, August 9, http://www.akimbo.biz/akimblog/ ?id=129
		Rose Anne Prevec, “Museum Presents Listening Awry,” Daily News, June 25, http://dailynews.mcmaster.ca/story.cfm?id=4741#

	Linda M. Montano: 14 Years of Living Art
	Curated by Jennifer Fisher
	Liane and Danny Taran Gallery, Saidye Bronfman Centre for the Arts, Montreal
	April 10–May 25, 2003
	2006	Jennifer Fisher, “The Chakra Cycles of Linda M. Montano,” in Technologies of Intuition, Toronto: YYZ Books; Winnipeg: MAWA.
	2004	Victoria Stanton, “Linda Montano is Living Art,” Ascent, Winter.
	2003	Christine Redfern, “Life Equals Art,” Mirror, April 10-16, p. 38.
		Gabriel Doucet-Donida, “Interview with Linda Montano,” CKUT 90.3 FM, April 11.

	Adad Hannah: Stills
	Curated by DisplayCult
	Galerie SAW, Ottawa
	September 7–28, 2002
	2006	Jennifer Fisher and Jim Drobnick, “Museum vivants,” in Adad Hannah: Video Projects, Seoul, pp. 9-15.
	2002	Anita Euteneier, “A Year of Stars on a Shoestring or, How the World Came to Ottawa,” Ottawa Express, December 19.
		Patrick Nicastro, “Mouvement fixe,” Voir, Septembre 19-25, p. 9.
		Anita Euteneier, “Adad Hannah Presents 19th-Century Freeze-Frames at SAW Gallery,” Ottawa Express, September 12, p. 21.

	Museopathy &
	Empathology (performance series)
	Curated by DisplayCult
	Agnes Etherington Art Centre, Kingston
	June 23-September 9, 2001
	Artists: Museopathy: John Dickson, Fastwürms, Jamelie Hassan, Barbara Hunt, Brian Jungen, Komar and Melamid, Anne Ramsden, Mitch Robertson, Joyce Wieland, Mel Ziegler. Empathology: Diane Borsato, Peter Hobbs, Linda Montano, Clive Robertson.
	Honours
	2002	Best Exhibition 2001, Ontario Association of Art Galleries.
	2001	Award of Merit, Ontario Museum Association.
	Publications
	2007	Milena Placentile, “Who Are We Doing This For Anyway? Engaging Diverse Audiences Through Curatorial Practices in Contemporary Art,” MUSE 25(5-6): 34-7.
		Joan Borsa, Site- and Context-Oriented Curating: Staging Encounters Between Art, Audiences and Everyday Realities, PhD in Humanities Dissertation, Montreal: Concordia University.
	2006	Jennifer Fisher, “Exhibitionary Affect,” n.paradoxa: International Feminist Art Journal #18, pp. 27-33.
	2005	Milena Placentile, “Who Are We Doing This For Anyway? Engaging Diverse Audiences Through Curatorial Practices in Contemporary Art,” Master’s Thesis, Museum Studies, University of Toronto, http://www.shintai-z.com.
		Brian Jungen, New York: New Museum of Contemporary Art.
		Shannon Anderson, “Soft Passages,” Og2 (Oakville Galleries newsletter), 2: 3, pp. 5-8, www.oakvillegalleries.com/Newsletter_2.3.pdf.
		Tim Whalley, Master’s program research paper, University of Toronto.
	2004	Joan Borsa, “The Ephemeral Collection: Public Repositories or Sites of Creative Endeavour,” in Obsession, Compulsion, Collection: On Objects, Display Culture and Interpretation, Anthony Kiendl, ed., Banff: Walter Phillips Gallery Editions.
		Jamelie Hassan, “The Evasive Text,” in Obsession, Compulsion, Collection: On Objects, Display Culture and Interpretation, Anthony Kiendl, ed., Banff: Walter Phillips Gallery Editions.
		Komar & Melamid/William McClelland, Call to Art, in Aural Cultures, Jim Drobnick, ed., Toronto and Banff: YYZ Books and Walter Phillips Gallery Editions.
		David Howes, “Sound, Sense and Synaesthesia: Intersensoriality in Material Culture,” Sage Handbook of Material Culture, Christopher Tilley, Webb Keane, Susanne Kuechler, Michael Rowlands and Patricia Spyer, ed., London: Sage.
		“Museopathy,” The Directory of Publications on Canadian Contemporary Art, Montreal: Artexte, 152.
		Diane Borsato, “Portfolio,” Spirale #198, September/October, p. 53.
		Len Findlay, “Symposium: Rethinking Exhibitions,” Border Crossings 91, pp 131-3.
	2002	Jennifer Fisher and Jim Drobnick, Museopathy, Kingston: Agnes Etherington Art Centre in association with DisplayCult.
		Laurel MacMillan, “John Dickson: The Fluid of Art and Life,” Canadian Art, Summer, pp. 34-37.
		Nancy Tousley, “Sympathy, Empathy, Museopathy,” Canadian Art, Spring, pp. 80-83.
		“Museopathy multi-site exhibition garners praise,” Kingston Whig Standard, January 29.
		Ontario Association of Art Galleries, “The 25th Annual OAAG Awards,” http://www.interlog.com/~oaag/2002-2003/2002awards.html.
		Arts and Heritage Plan: Ottawa, http://www.otawa2020.com/ _en/growthmanagement/ahp/heritage/heritage19_en.shtml.
		Pat Sullivan, “Reflections on Museopathy,” MERT Journal, 4: 3, April 15, http://www.utoronto.ca/mouseia/mert/Journal/Apr2002.htm.
	2001	Sarah Milroy, “Strokes of Genius,” Globe & Mail, December 27, p. R1, 4.
		Terence Dick, “Museopathy,” Border Crossings #80, November, pp. 69-70.
		Si Si Penaloza, “Museum Circuit,” C Magazine #71, Fall, p. 9.
		J.E. Cassano, “Museopathy: Reflecting on How We See,” Artspaper, Autumn, pp. 14-15.
		Ontario Museum Association, “2001 Winners Announced,http://www.museumsontario. com/about/merit_2001.html
		“Museopathy,” Mix, 27: 2, Fall, pp. 8-9.
		Letters to the Editor, Kingston Whig Standard, August 2, 8, 17.
		Meera Sethi, “Richard Fung and Jamelie Hassan,” Fuse, 24: 2, July, p. 33.
		Frieze 100 international exhibition listings, www.frieze.co.uk.
		Sarah Milroy, “Please Mess With the Museum,” Globe and Mail, July 28, p. R5.
		Calendar (with photo of Fastwürms installing), Gazette, July 16.
		Sharon Doyle Driedger, “Going Against the Flow,” Maclean’s, July 9, pp. 52-3.
		Bob Steele, “Museopathy: Contemporary art meets historical museums,” http://infoculture.cbc.ca/archives/visart/visart_06282001_kingston.phtml.
		Adrian Liu, “Walking the Path of Muses,” Queen’s Journal, June 26, p. 9.
		Sabrina Mehra, “Kingston’s heritage sites are where the art is,” Kingston Whig-Standard, June 22, p. 26.
		Michele Casey, “Museopathy brings artists and museums together,” Kingston This Week, June 22, p. 8.
		Jan Allen, “Agnes + Museums = Museopathy,” Ripples #7, Winter/Spring.
		“Museopathy: A Site to See,” Queen’s University Gazette, 32: 11, June 18, p. 5.
	Broadcast Media
	2001	Ontario Today, CBC, Erica Ridder, July 5.
		CBC Arts Report, interview by Bob Steele, June 28.

	Vital Signs
	& Sentience: Performance Salon
	Curated by DisplayCult and Colette Tougas
	Leonard and Bina Ellen Art Gallery, Montreal
	March 30–May 20, 2000
	Artists: Vital Signs: Bosses, Kevin Ei-ichi deForest, Jean Dubois, Wendy Jacob, Natalie Jeremijenko, Naomi London, Sandra Rechico, Claire Savoie, Chrysanne Stathacos. Sentience: Pierre Beaudoin, Diane Borsato, Kevin Ei-ichi deForest, Valerie Lamontagne, Naomi London, Chrysanne Stathacos.
	Honours
	2001	Top 10 Exhibitions of the Year, Mirror.
	Publications
	2004	Joan Borsa, “The Ephemeral Collection: Public Repositories or Sites of Creative Endeavour,” in Obsession, Compulsion, Collection: On Objects, Display Culture and Interpretation, Anthony Kiendl, ed., Banff: Walter Phillips Gallery Editions.
		Kevin Ei-ichi deForest and Claire Savoie in Aural Cultures, Jim Drobnick, ed., Toronto and Banff: YYZ Books and Walter Phillips Gallery Editions.
	2002	Jennifer Fisher, “Tactile Affects,” Tessera 32, Summer, pp. 17-28.
		Sandra Rechico, “Distended” and “Shards II,” Tessera 32, Summer, pp. 77-9.
		Debbie Hum, “Canadian, Contemporary and Très Cool,” Concordia University Magazine, September, pp. 16-19.
	2001	Olivier Asselin, “Une Critique de la vision pure,” Spirale #179, July/August, pp. 31-2.
		Jennifer Carter and Colleen Ovenden, “Finding Sense in New Places: Vital Signs in Contemporary Art Practice,” Material Culture, Spring/Summer, pp. 69-75.
		Jim Drobnick, Jennifer Fisher, Colette Tougas, “Vital Signs: Curatorial Statement,” Material Culture, Spring/Summer, pp. 75-76.
		Reesa Greenberg, “Playing it Safe?: The Display of Transgressive Art in the Museum,” in Mirroring Evil: Nazi Imagery/Recent Art, Normal L. Kleeblatt, ed., New York and New Brunswick, NJ: The Jewish Museum and Rutgers University Press, pp. 85-95.
		Annie Martin, “Arriving Here: Kevin Ei-ichi deForest’s Japanese Syntheses,” Mix 29: 3, Winter, pp. 36-39.
		Diane Borsato, “Sleeping With Cake and Other Affairs of the Heart,” The Drama Review #169, Spring, pp. 59-67.
	2000	Sholem Krishtalka, “2000 Year in Review: Visual Arts: Top of the Arts,” Mirror, December 21-January 4, p. 78.
		Marine van Hoof, “Signes de Vie: Vital Signs,” Vie des Arts #179, Summer, p. 71.
		Alexandra Leikermoser, Upath, Web magazine.
		Patchen Barss, “Art That’s Led by the Nose,” National Post, June 14, p. A17.
		Patchen Barss, “Digesting the Part,” National Post, June 1, p. A16.
		Pierre Beaudoin, “Dossier,” Esse, #40, Summer, p. 44.
		Philip Fine, Times of London, Higher Education Supplement, May 12, p. 10.
		Nicolas Mavrikakis, “Arts Visuels,” Voir, May 11-17.
		Henry Lehman, The Gazette, April 29.
		Angela Plohman, “Re-thinking Contemporary Aesthetic Spaces: Diana Thorneycroft and the Unacceptable Sublime,” M.A. thesis, Department of Art History, Concordia University.
		Dayna McLeod, “Smell the Art: DisplayCult Puts the Senses in Perspective,” The Hour, April 27-May 4, p. 41.
		Kate Swoger, “Making Sense of Our Senses,” The Gazette, April 25, pp. A1-2.
		Bernard Lamarche, “Méga-colloque,” Le Devoir, April 20, p. B8.
		Sholem Krishtalka, “Art for Humans,” Mirror, April 20-27, p. 39.
		Bernard Lamarche, “L’exposition comme allégorie des sens,” Le Devoir, April 15/16, p. B12.
		Debbie Hum, “Sensational conference coming up,” Concordia’s Thursday Report, April 13, pp. 1, 11.
		Samantha Morris, “When I Get that Feelin’ I Want ... Sensual Healin’: Art Show Focuses on Other Sensory Perception,” The McGill Daily, April 10, p. 12.
		James Lafferty, Stepsmagazine, “Sight’s Demystifiers,” April, p. 9.
		Zoë Chan, “Getting Touchy-Feely,” The Link, v. 20, #29, April 4, p. 13.
		Karen Reiner, “Exhibit Delves into our Five Senses,” Concordia ipress.
		Bernard Lamarche, Le Devoir, January 22.
	Broadcast Media
	2000	Breakaway, CBC Radio, April 26.
		Daybreak, CBC Radio, April 25.
		All in a Weekend, CBC Radio, April 22.
		Art Talk, CBC Radio, April 15.
		This Morning Live, CKMI, April 4.

	The Servant Problem
	Performative intervention by DisplayCult
	In “Trespassers & Captives,” curated by Jamelie Hassan
	Eldon House/Museums London, London
	July 1–4, 1999
	2004	Joan Borsa, “The Ephemeral Collection: Public Repositories or Sites of Creative Endeavour,” in Obsession, Compulsion, Collection: On Objects, Display Culture and Interpretation, Anthony Kiendl, ed., Banff: Walter Phillips Gallery Editions.
		Helen Marzolf, “Better Than Meat! Mendel’s Re-thinking Exhibitions Puts New Spin on Artistic Meaning,” Planet S, May 13, p. 12.
	2001	Colleen Ovenden, “Trespassers & Captives,” Parachute #101, January, p. 140.
	2000	David Merritt, “Trespassers & Captives,” Fuse, 23:1, April, pp. 44-6.
		Jim Drobnick and Jennifer Fisher, “The Servant Problem,” in Trespassers & Captives, ed. Jamelie Hassan, London, ON: The London Regional Art and Historical Museums, pp. 49-61.
	1999	“Live on Location,” The London Free Press, July 4.

	Room 208
	Site-specific installation by DisplayCult
	In collaboration with clairvoyant Dr. Marilyn Rossner
	In “48 Hours/48 Rooms,” curated by Ingrid Bachmann, Montreal
	May 7–9, 1999
	2002	Ingrid Bachmann, ed., 48 Hours/48 Rooms, CD-ROM.
	2000	Dayna McLeod, “Conversion Stories: A Silo/A Boarding House/A Foundry,” Mix, v26, n2, Fall, pp. 30-34.
	1999	Luigi Discenza, “48 Hours/48 Rooms,” Lola #5, Winter.
		Mariette Bouillet, “48 heures/hours 48 chambres/rooms,” Inter #74, 43-45.

	CounterPoses
	Curated by DisplayCult
	Galerie Oboro, Montreal
	May 7–9, 1998
	Artists: Stéphanie Beaudoin, tarin chaplin, Colette, Kim Dawn and Christof Migone, Shawna Dempsey and Lorri Millan, Rachel Echenberg, Natalie Grimard, Louise Liliefeldt, Chris Martin, David McFarlane, The Other Theatre, Kathryn Walter.
	Honours
	1998	Best Group Exhibition, Galleries and Artist-Run Centres, Le Devoir.
		Top 10 Exhibitions of the Year, Voir.
	Publications
	2007	Bruce Barber, “Three Modes of Canadian Performance in the Nineties,” in Performance [Performance] and Performers, ed. Marc James Leger, Toronto: YYZ Books, 127-43.
	2005	Jennifer Fisher, “Out and About: The Performances of Dempsey & Millan,” in Difficult Women, Johanna Householder and Tanya Mars, eds., Toronto: YYZ Books.
		Christof Migone, sound voice perform, Los Angeles/Copenhagen: Errant Bodies.
	2004	Joan Borsa, “The Ephemeral Collection: Public Repositories or Sites of Creative Endeavour,” in Obsession, Compulsion, Collection: On Objects, Display Culture and Interpretation, Anthony Kiendl, ed., Banff: Walter Phillips Gallery Editions.
		“CounterPoses,” The Directory of Publications on Canadian Contemporary Art, Montreal: Artexte, 66-7.
	2002	Jim Drobnick and Jennifer Fisher, eds., CounterPoses, Montreal: DisplayCult and Oboro.
		Colette: Maison de La Lumière, Munich: Galerie Carol Johnssen.
	2001	Bruce Barber, “Three Modes of Canadian Performance in the Nineties,” in Art Action 1958-1998, ed Richard Martel, Quebec: Inter, 296-313.
	2000	Francine Dagenais, “CounterPoses,”http://www.oboro.net/bon/counterE.html, December.
		Johanne Lamoureux, “CounterPoses,” trans. Don McGrath, Performing Arts Journal #66, 22: 3, September.
	1999	Bernard Lamarche, “Chambres en ville,” Le Devoir, May 9, p. B9.
		Jennifer Fisher, Jim Drobnick, “CounterPoses, a Curatorial Pose,” Etc. Montréal #45, March/April/May, pp. 17-22.
		Annie Martin, “CounterPoses,” Women & Performance #21, vol. 11:1, #21, pp. 263-7.
	1998	Bernard Lamarche, “Remise de prix,” Le Devoir, December 31, p. D7.
		Aaron Pollard, “CounterPoses: Re-Imagining Tableaux Vivants,” P-Form #46, Fall, pp. 24-6.
		Marcus Miller, “Da Bomb: Direct Hits and Moving Targets,” Hour, December 23-January 6, p. 37.
		Nicolas Mavrikakis, “Top 10 arts visuels,” Voir, December 23-January 6, p. 27.
		Jack Stanley, “CounterPoses,” Lola, Winter, pp. 60-1.
		Susanne de Lotbinière Harwood, “Rachel Echenberg: The Water Nymph Project,” L’Agenda des femmes 1999, Montréal: Les Éditions au Renne-ménage.
		Stephen Horne, “CounterPoses,” Fuse, Fall, pp. 61-3.
		Valérie Lamontagne, “A Day in the Life of the Carnivalesque: The Corporeal Aethetics of CounterPoses,” Mix, 24: 2, Fall, pp. 44-7.
		Marine van Hoof, “CounterPoses,” Artpress #238, September, p. 77.
		Johanne Lamoureux, “CounterPoses,” Parachute #92, Autumn, pp. 51-53.
		Kim Dawn and Christof Migone, Honey, artists’ book/documentation.
		Phillip Szporer, “Score!,” Hour, 6:25, June 25-July 1, p. 40.
		Lorrie Blair, “Not Just Posers,” Hour, 6:20, May 21-27, p. 34-5.
		Dorota Kozinska, “CounterPoses is a moving experience,” The Gazette, May 8, p. D8.
		Bernard Lamarche, “CounterPoses,” Le Devoir, May 8, p. B14.
		Christophe Bergeron, “La vie dans un tableau,” La Presse, May 7, p. D4.
		Carl Wilson, “Supermodels do it ...,” Hour, 6:18, May 7-13, p. 22.
		Joanne Latimer, “An old parlour game no more,” The Globe and Mail, May 4, p. D3.
		Stéphane Aquin, “Corps politique,” Voir, April 30-May 6, p. 79.
		Marie Fraser, “Letter from Montreal,” C Magazine #58, May-August, p. 41.
	Broadcast Media
	1998	Le Calendrier de Cristina, CJNT, May 13.
		Sex City, Christine Martin interviewed by Louise Bak, CIUT, May 12.
		Global Tonight, CKMI, May 8.
		Pulse Tonight, CFCF, May 7.
		This Morning Live, CKMI, April 4.

	ACADEMIC STUDIES OF DISPLAYCULT
	2007	Milena Placentile, “Who Are We Doing This for Anyway? Engaging Diverse Audiences Through Curatorial Practices in Contemporary Art,” MUSE 25(5-6): 34-7.
	2006	Joan Borsa, Site- and Context-Oriented Curating: Staging Encounters Between Art, Audiences and Everyday Realities, PhD in Humanities Dissertation, Montreal: Concordia University.
	2005	Tim Whalley, Master’s program research paper, University of Toronto.
	2004	Joan Borsa, “The Ephemeral Collection: Public Repositories or Sites of Creative Endeavour,” in Obsession, Compulsion, Collection: On Objects, Display Culture and Interpretation, Anthony Kiendl, ed., Banff: Walter Phillips Gallery Editions.
		Milena Placentile, Who Are We Doing This for Anyway? Engaging Diverse Audiences Through Curatorial Practice in Contemporary Art, Master’s Thesis, Museum Studies, University of Toronto.