DisplayCult is a curatorial collaborative that aims to rethink exhibition prototypes by amplifying sensory aesthetics, interrogating the diverse histories of display, and engaging with the performative aspects of presentation. Founded by Jim Drobnick and Jennifer Fisher, DisplayCult's projects seek to creatively merge disciplines, media and communities in order to propose alternative prototypes for aesthetic engagement. Exhibitions include NIGHTSENSE (2009), Odor Limits (2008), Listening Awry (2007), Do Me! (2006), Aural Cultures (2005), reminiSCENT (2003), Linda Montano (2003), Museopathy (2001), Vital Signs (2000) and CounterPoses (1998). Collaborative publications include the catalogues CounterPoses (2002) and Museopathy (2002), as well as essays in Trespassers & Captives (2000), Image and Inscription (2005), and Dispersions: Aernout Mik (2005). In 2000, they co-organized the academic conference Uncommon Senses: The Senses in Art and Culture held at Concordia University.

Jim Drobnick is a critic, curator and Associate Professor of Contemporary Art and Theory at the Ontario College of Art and Design, Toronto. He has published on the visual arts, performance, and post-media practices in anthologies such as Crime and Ornament (2002) and Empire of the Senses (2004), and the journals Angelaki, High Performance, Parachute, Performance Research, and The Senses & Society, where he is now reviews editor. His books include the anthologies Aural Cultures (2004) and The Smell Culture Reader (2006). Jennifer Fisher is a critic, curator and Associate Professor of Contemporary Art and Curatorial Studies in the Department of Visual Art at York University, Toronto. Her research focuses on exhibition practices, performance, the visual arts, museums, collecting and the aesthetics of the non-visual senses. Her writings have been featured in anthologies such as The Senses in Performance (2006) and Caught in the Act (2005), and journals such as Art Journal, Border/Lines, n-paradoxa, Public, and Visual Communication. She recently edited Technologies of Intuition (2006).